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B. P.'s bookshelf: currently-reading

by Virgil
tagged: poetry-stuff, classical-greco-roman-stuff, and currently-reading
tagged: currently-reading, un-decade-african-descent, and poetry-stuff

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So far, I write about what ever holds my attention the most stubbornly. Until the sidebar works regularly for me, The display is going to have the sidebar stuff here, then the main blog.

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Black Reconstruction by W. E. B. Du Bois

My first post here is of course a Goodreads review, but one of my favorite and the only one that won't show-up on the book's entry p...

Tuesday, November 24, 2020

My Review of Fist of Fury (1972) directed by Lo Wei

 Possibly the greatest action star of all time. This is the greatest achievement (to me) of Bruce Lee. Equal parts actor and martial artist, Lee's movies from The Big Boss (1971) thru Enter the Dragon (1973) (or Game of Death (1978) depending on how you count it) changed the game for Chinese Martial Arts cinema and set the tone for the genre up to the current day. Until Lee's collaboration with Golden Harvest, most martial arts films were in the wuxia-style of Shaw Brothers or the Japanese swords-style of films like Sanjuro or the Zatoichi movies. Bruce Lee, who had spent his time in the United States developing Jeet Kune Do and being marginalized by Hollywood, traveled back to Hong Kong and hooked up with Shaw Brothers Studio's upstart rivals Golden Harvest. Instead of using the wuxia genre, Lee and director Lo Wei went for realism and raw aggression. Curiously, Lee decided not to display his Jeet Kune Do style, but to use Wing Chun style that he was taught by his mentor Ip Man

Fist of Fury (1972) was made of the times, revolution in the air. The setting is the colonial period in turn-of-the-20th-century China and sees a martial arts school in Shanghai be harassed by a rival Japanese bushido school. Lee's character Chen Zhen returns from abroad to Shanghai just after the death of his teacher under not-so-mysterious circumstances and the naked racist antagonism from the Japanese school basically makes Zhen go on a revenge mission against the Japanese. The dueling escalation leads to the colonial powers placing a bounty on Chen Zhen's head, but he makes sure the Karate school will not survive no matter what happens to him.

The righteous fury of his anger, the super-speed of his kicks, and the electrifyingly brutal use of his num-chuks makes this my favorite Bruce Lee film. It may not have the incredible backdrop of Rome like The Way of the Dragon (1972) or the Hollywood production and budget of Enter The Dragon, but the story and the action is perfect for me. I obviously empathized with the story here and seeing that sign being kicked still makes me nod my head yes. Fist of Fury (1972) is Kung Fu cinema at its purest. Also the director Lo Wei (who also directed Lee's previous film) plays the police inspector.

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