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Black Reconstruction by W. E. B. Du Bois

My first post here is of course a Goodreads review, but one of my favorite and the only one that won't show-up on the book's entry p...

Sunday, August 30, 2020

Black Reconstruction on YouTube, Episode 1



This channel called The Read-In Series has decided to do a read-along of W. E. B. Du Bois' Black Reconstruction in America on YouTube. To call such a project ambitious is an understatement, but since it is happening I have decided to follow it along with them and re-visit this massive work (I rarely reread any books these day--certainly not books of this length). I am a big fan of this book. The first episode was read by Phylicia Rashad for chapter 1 & Yvette Nicole Brown for chapter 2. Rashad did a masterful job as expected, but poor Ms. Brown was so nervous and rushing through the chapter that I had to put the playback speed on 0.75x to follow along with her. In any case, I like being able to revisit the work and I will give some thoughts on chapters here as I am able to follow-along.

Chapters 1 & 2 serve to set the scene of what is to come and what this book is partially about. That Du Bois begins this book before Reconstruction is a formality, but serves as his way to offer the fullest rebuking of the Dunning School that he was able to do. These two chapters--The Black Worker & The White Worker, respectively--also introduces us to the framework that Du Bois is analyzing this history. He is not using any sort of mythological sentimentality here, but he is relying on straight historical materialism to analyze this. I call this book Marxist-adjacent rather than simply Marxist, because as Du Bois shows in the chapter on white workers, the white labor movement in the USA never seriously contemplated working with black workers or fighting for the abolition of slavery--even when such abolition would be favorable to conditions of the white laborers themselves. White workers, regardless of class or geographic location, felt that they could either own slaves themselves or go west and keep black labor out of that territory. As we'll find out, even attempts by Karl Marx and the First International to get white workers to unionize with black workers after the Civil War fail and lead to whites-only anti-socialist groups like the AFL coming to power. Chapter 2 pretty-much tells you why Bernie Sanders can't win the Black Belt today: black people know that white Socialists have never truly had their backs when all was said and done.  Black labor was trying at all manner to resist there fate, but it was hopeless in the South. Only as emigration of black people to the North started to stir the conscience of a small group of white people called Abolitionist, than some started to really consider the impossible idea of the ending of Slavery. I think the recasting this as a labor struggle that has race as the fundamental agent (i.e. the hardened belief by a majority of whites of an inherent inhumanity of black people) really expands the scope of this period and enables a vaster and much more profound story to be told. It restores the agency of black people in this story about black people and makes the actions taken by the different actors in this book more honest to the truth. Anyone who reads this will discover quite soon why W. E. B. Du Bois is America's greatest scholar: his merging of scholarship and poetics into prefect harmony is something to behold. Returning to this book after the 2020 American Athletic Strikes and their aftermath, the lessons of this book are critically present.

Thoughts On Last Week (August 23-29, 2020)

 Last week on August 23rd, a man was shot 7 times in the back by police officers in front of his kids. Thus begun a most interesting week. It was one that saw the largest strike by black (and somewhat more un-willingly their white "allies") in American history and it lead to actual policy concessions by their pay-masters. The collective rolling-strike action by the NBA/WNBA, USTA, MLB, and eventually the NHL. Though this was a mostly symbolic gesture, it did have the very real consequence of forcing the concession of NBA owners opening their sports arenas to polling on Election Day, partially-thwarting the voter suppression of the reactionaries. Nothing of like this has ever been achieved. That a group of black millionaires could make their mostly-Republican bosses go against their interest in the name of labor-peace and the maintaining of the still relatively-recently agreed CBA is astonishing. The idea that a black Japanese female tennis player could bring one of the larger-level tennis tournaments to a complete halt is astonishing. We've reached a new phase in this civil rights struggle.

And yet we end this week with the death of the Black Panther/Jackie Robinson himself Chadwick Boseman. That he had spent the last 4 years dying of colon cancer before our eyes is shocking--another incalculable loss.

Chadwick Boseman (1977-2020) Memorial Reading Recommendations

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Here's a proper book recommendation post to honor Chadwick Boseman. These are books I have based off of characters he played. From left to right, top to bottom: Black Panther Epic Collection: Panther's Rage (the @blackpanther movie was based off this story); I Never Had It Made: The Autobiography of Jackie Robinson; The James Brown Reader: 50 Years of Writing about the Godfather of Soul; Eyes on the Prize: America's Civil Rights Years, 1954-1965 (The first chapter of this book is about the fight to racially desegregate American schools and Thurgood Marshall's key-role in it). #bookstagram #books #bookworm #bookish #blackpanther #panthersrage #jackierobinson #42 #jamesbrown #getonup #eyesontheprize #thurgoodmarshall #readsoullit #diverseclassics #librosgram #librosrecomendados #libros #literaturanegra #bookcollection #blackmenread #blerd #bibliophile #chadwickboseman #wellreadblackguy #wakandaforever

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Tuesday, August 25, 2020

My Goodreads Review of The Half Has Never Been Told: Slavery and the Making of American Capitalism by Edward E. Baptist

I read this book back at the tail-end of BLM I and it was the beginning of a deep examination of history for me which is still ongoing. I don't think this review does justice to how good this book actually is, but I hope folks don't mind that. This was me before I had perfected my reviewing skills to their current state.

The Half Has Never Been Told: Slavery and the Making of American CapitalismThe Half Has Never Been Told: Slavery and the Making of American Capitalism by Edward E. Baptist
My rating: 5 of 5 stars

"It has been said that the Civil War was 'unnecessary' because slavery was already destined to end, probably within a few decades after the 1860 election. Yet this is mere dogma. The evidence points in the opposite directions. Slavery yielded ever more efficient production, in contrast to the free labor that tried (and failed) to compete with it, and the free labor that succeeded it. If slave labor in cotton had ever hit a wall of ultimate possibility, enslavers could have found new commodities. Southern enslavers had adapted slavery before, with incredibly profitable results. Forced labor that is slavery in everything but name remained tremendously important to the world economy well into the twenty-first century. And the lessons that enslavers learned about turning the left hand to the service of the right, forcing ordinary people to reveal their secrets so that those secrets could be commodified, played out in unsteady echoes that we have called by many names (scientific management, the stretch-out, management studies) and heard in many places. Though these were not slavery, they are one more way in which the human world still suffers without knowing it from the crimes done to Rachel and William and Charles Ball and Lucy Thurston; mourns for them unknowing, even as we live on the gains that were stolen from them."

This is the United Nations International Decade of People of African Descent . Here is a preface document that is relevant to this review: http://ohchr.org/EN/NewsEvents/Pages/...

Starting from the heart and ending with a full corpse, this book is a revolutionary, but very familiar (depending on what you already knew) look at how the United States went from laughably broke at the end of the American Revolution to being the 19th century version of Saudi Arabia in terms of world-supplying resource. Ed Baptist quotes from Ralph Ellison's Shadow and Act that American history was a drama played on the body of a "Negro giant." He takes this as the theme of the book and looks at how the discovery of how easily cotton could be grown provided the key jewel in the crown of the Industrial Revolution. Baptist looks at enslavers ever growing quest for both making the enslaved pick more cotton and obtaining more land for them to be transported to. He also looks at attempts by the enslaved to resist (until that fails) and simply survive, by any small measure, the process.

Baptist's labor in this book is stunning. He lays any type of pleasantry or "respectability" language aside and gives you the very cold, harsh, brutal truth of what happened between the 1780s and 1860. This book gives an amazing amount of respect and dignity to the people who were, in their words, always being "stolen" and destroyed by enslavers. This book's authenticity moved me in a profound way and really made me feel what people like Lorenzo Ivy, Charles Ball (who is a key character in this book), Rachel, Ben, Amar and other enslaved people whose stories are examined in this book. The examination of the impact that forced migration south and west had on Africans turning into African-Americans in the process (as well as their culture and religion that survives to this day in modern African-American, and really Western, culture). The use of both the primary sources of the oppressed and oppressors was very powerful.

The economics thread of this book (this is an "economic history") really enlightened me. Though I think most African-Americans would have guessed that American slavery built American capitalism, I was surprised at how much it also contributed to Europe's Industrial Revolution, in particular Great Britain. Essentially, blood-soaked cotton was turning Great Britain into the world power that would never see nighttime. As much as the UK loves to mouth-off about banning the slave trade and slavery itself before the rest of the Western world, it was British entrepreneurs, stock brokers, and government officials invested in cotton before the Panic of 1837 and enslaved people directly afterwards, so much for that. The fact that Monaco was still trying to get the state of Mississippi to pay its debts in the 1930s was amazing.

I hope this book gets taught not just as a history book, but as an economics book. This book lays bare the fact that slavery's economic mission...was a rousing success. The numbers do not lie: setting a minimum number that a person had to meet and beating them severely when they did not reach that number while raising that number every time it was met-for 80 years-can turn you from a third world country to a first world country in under a century if you do it on a industrial scale (and never pay the people you beat and also raping them, lots of rape). This is one of those sad, cynical facts about the nature of the world (just look at any 20th century genocide, it usually does what it sets out to do). The after-effects of 250 years of degradation and depravity go un-punished and in-fact, as recent years have shown, can be used to effectively disposes the decedents of enslaved people in the United States (I remind you that Mike Brown of Ferguson is buried just across town from Dred Scott). Please read this book! It is one of the best history/economic texts I have read in some time.

"The militia stood Amar up in the yard at the Widow Charbonnet's place. Herded into an audience, the men, women, and children who knew him had to watch. The white men took aim and made Amar's body dance with a volley of lead. In his head, as he slumped and fell, were 50 billion neurons. They held the secrets of turning sugarcane sap into white crystals, they held the memories that made him smile at just such a joke, they held the cunning with which he sought out his lover's desires, they held the names of all the people who stood circled in silence. His cheek pressed on earth that his own feet had helped to pack, his mouth slackly coursing out blood, as gunpowder smoke gathered in a cloud and blew east. A white officer's sideways boots strode toward him. The dancing electrons in Amar's brain caressed forty-five years of words, pictures, feelings, the village imam with his old book, his mother calling him from the door of a mud-brick house. The memory of a slave ship or maybe more than one, the rumor of Saint-Domingue -- all this was there, was him -- but his cells were cascading into sudden death. One last involuntary wheeze as a soldier raised an axe sharpened by recent practice and severed Amar's head from his body"

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Saturday, August 22, 2020

One Hate Fits All

 I have, over the last few weeks, been watching YouTube videos of people of Asian (and I mean all of Asia) and mestizo (i. e. a person of white Spanish and Indigenous ancestry) call each other out for antiblackness. Of course, for me this was no attempt to learn "what goes on" since I'd long known all this, but to see what these folks had to say about it themselves--what they thought about the antiblackness and how they thought about it. It has been...fascinating...bewildering, entertaining, silly-sad, and somewhat boring. It is interesting how much anti-black racism is a universally a one-size-fits-all formula. The typical preoccupation/obsession with sex (specifically with black men--of course) and the want to always to be in the favor of white people. The majority of the folks I listened to seem to be aware of the model-minority myth and they all are frustrated with the stubborn prejudice of their parents and community. Some folks had this on their mind for the first time, some folks had this on their mind for awhile and BLM II has given them the chance to publicly say something , and then there are a very few who were about that anti-racism thing long before George Floyd & Breonna Taylor's death. I really got tired of hearing the same excuse of  "don't like conflict in our culture" thing (no one does). It was interesting to see what seems to be a key rule of antiblackness that assumes that people of African descent don't know nothing. It was interesting to see that a lot of the South Asian videos that I kept running-across came from the UK. I also am taking note of the age-range as the people in these videos definitely run towards the younger-end of the scale (though these are a few older 30+ speakers). Some of the videos made by the Mestizos addressed the fact that not only does their antiblackness contribute to hostility towards African Americans, but also leads to the erasure of Afrolatinos (something that all of the videos with Afrolatinos mentioned). I can't say I am sure that these confessionals and call-outs will lead to any real action though. The acknowledgement of cultural appropriation and colorism is very "about time."

In my opinion, only two paths can truly help any real progress. I call these the John Brown and Grace Lee Boggs options, respectively. One can give and spill blood for black people in spectacular fashion and become a John Brown-style warrior. This is a very quick way to go about it. Or one can embed themselves and their families into black communities, send their kids to majority-black schools, and share their wealth with their black neighborhood by investing in black businesses and institutions and people. This approach is a lot longer and intimate and requires a true dedication to black people in the way of a Grace Lee Boggs did with Black Detroit. Anything besides those two options is just performative bullshit. We have to simply sleep with each other, but live with each other, go to school with each other, go to each other's functions, places of worship, stores. We must do this to the point where "each other" becomes "ours"--only then will progress possibly be made. It is interesting to see the different ways that antiblackness and colorism were introduced to these communities, but it is interesting how much it does not differ at all from white people. Meanwhile, Breonna Taylor's killers are still free, 5 black children in Colombia have been brutally lynched, and the world has gone back to normal. These are my concluding thoughts on BLM II.


For a different but similar context, I would check-out this essay by James Baldwin on the strife between African Americans and white Jewish-Americans: https://archive.nytimes.com/www.nytimes.com/books/98/03/29/specials/baldwin-antisem.html

Friday, August 21, 2020

Some Thoughts on Manga

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Spotlight on manga. I don't talk about sequential art nearly-enough on here as I wish I did. Though I pretty much grew-up with anime being a part of that "Toonami generation," I am an extreme latecomer to manga (I only started to seriously read them 4 years after I started reading comic books in-general). Most anime is adapted from manga, but it took me awhile to be on cinched that I would enjoy reading a comic book right to left in black & white, but I did. After watching the anime adaptation of season 1 of One-Punch Man in 2015, I wanted to really know what happened next so I bought the manga volume that took place after the anime adaptation ended and have been reading Japanese comic books ever since. • I've read older manga like Lone Wolf & Cub from the 1970s, but it is the two manga in the right-hand column that are the favorite of mine. Given this year of sorrows, the dystopian hellscape of The Promised Neverland has an almost natural resonance and may be my overall read of the year. Close second to it is Demon Slayer: Kimetsu no Yaiba which is about folks hunting demons in Taishō-era (roughly the Edwardian and early Georgian-era for my UK folks—Americans y'all just gonna have to look it up). American and Japanese comic books are fundamentally working on some basic principles, but have major differences. Unlike in the US where the publisher dictates the creative decisions and owns all rights to the characters, Japanese comics are much more creator-driven (though the free market can still reach in sometimes). Individual chapters are not issued in their own books like in the USA, but as part of comic book anthology magazines--the most popular one is Weekly Shonen Jump. Also shared universe is not a thing and most manga are created with the understanding that the story will end. Don't expect to see a team put together with Goku, Sailor Moon, and Naruto is what I'm saying😄. Like in the USA, Japanese comics are collected in volumes and issued as trade paperbacks. I decided to post this after noticing the recent resurgent interest in anime in the last few years. I plan to post some thoughts on that here and elsewhere.

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Thursday, August 20, 2020

My Goodreads Review of Demon Slayer: Kimetsu no Yaiba, Vol. 15: Daybreak And First Light by Koyoharu Gotouge

Demon Slayer: Kimetsu no Yaiba, Vol. 15: Daybreak And First LightDemon Slayer: Kimetsu no Yaiba, Vol. 15: Daybreak And First Light by Koyoharu Gotouge
My rating: 5 of 5 stars

So much going on here; I'll spoiler-tag my thoughts on the story here and then give my general thoughts on the title overall:

view spoiler -- you'll have to go to Goodreads to see this.

I've wondered for awhile why this title takes place during the Taishō era as opposed to the Meiji period or late-Edo period. I think it may be a meta-commentary on modernity, but I'm not sure. Demon Slayer: Kimetsu no Yaiba could be my favorite manga right now if not for the art and story-pacing. The Promised Neverland (which share the same publisher) still edges it out at both. The pacing was actually a little better here, but only by a slim-margin. Koyoharu Gotouge handles the art and story of the manga, so you can't argue that the decompressed story is the fault of differences with the creative team, but still the story is good even if it is obvious the author is writing for the trades. I'm glad I won't have to wait long for the next volume (yes I'm trying to read the English translation for this title the right way unlike the rest of the reviewers of this book (though some of y'all might be reading the actual licensed-translated chapter releases).

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Monday, August 17, 2020

My Goodreads Review of Animal Farm by George Orwell

Today marks the 75th anniversary of this book's publication. I took my time getting to it, but Orwell's style of writing has always impressed me with its clarity and his ability to communicate ideas and images to you without any baggage.

Animal FarmAnimal Farm by George Orwell
My rating: 5 of 5 stars

"... for the past ten years I have been convinced that the destruction of the Soviet myth was essential if we wanted a revival of the socialist movement. On my return from Spain [in 1937] I thought of exposing the Soviet myth in a story that could be easily understood by almost anyone and which could be easily translated into other languages." - Appendix 2 (The Ukrainian-language preface)

When I first joined Goodreads, the first book I added to my "to-read" shelf was this short novel. It is one of those books that are part of the "you must read this and be terrified" list. I pretty much knew the plot since high school (despite never reading it, or any Orwell, there). Because of pop-cultural familiarity, I had put off reading it. I felt there were more relevant dystopia to be read. So I spent seven years on this site adding and reviewing books, watching the cold-swing of the pendulum like Ol' Benjamin says in this book. But, then the history-nerd in me woke-up for a minute and I was reminded that this is the 100th year anniversary of the Russian Revolution: an event that changed everything outside of Russia, but not much in it (if you know that country's history). So, I finally had a reason to read this (I am one of the worst procrastinators I know).

I will not retell the plot because it basically is the first three decades of the Russian Soviet Federative Socialist Republic, but I do want to quickly meditate on the use of the fairy-tale/children's story aspect of it. I feel that the motifs of the animal characteristics serve well here to match the historical counterparts. It also serves as archetypes of itself in the majority of successive revolutions that have taken place (this could have easily taken-place with more Asian-specific animals or tropical animals or sub tropical, etc.). I liked the way anthems and slogans were highlighted because it brings to mind Orwell's essay Politics and the English Language which everyone who writes reviews on this site should read. I am also happy to say this is the least dense prose I have read from Orwell at this point, and that is a big plus.

So, why is this a good book to me? Because it is the most basic explanation of totalitarianism, or on a more basic level, bullying that you can read. If you're trying to make people understand on an elementary level why liberty and equality are good this book can show you (provided you are good at discerning irony and do not fall victim to Poe's Law). As for this book's ability to scare me...it is not very effective now-a-days. This is not Orwell's fault, but my own background. One must understand, as an African-American I come from an ancestry which has more than an acquaintance with dystopian life. My grandmother's grandmother lived a life that was far worse than what the Soviet proletarians endured under Stalin: his victims were disposal humans, my near-ancestors were legally considered livestock. With that prospective, one is lucky to have one leg to stand on.

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Sunday, August 16, 2020

My Ideal Method of Teaching Myself Through Reading and Research (I'll think of a better title later)

 With all the excitement and talk going around about Isabel Wilkerson's new book Caste: The Origins of Our Discontents, I thought I would use my preparation to read the book and share how I ideally want to go about preparing to read this book. Now from reading the synopsis, checking-out a review or two, and watching the many promotional interviews about this book I realize that this book is looking at the concept of caste and how it is used in the United States in the formation of racial hierarchy compared to how the Nazi's would use American racism in their regime and how caste has been used in India. Now in these cases I like to apply something I will call for the sake of this blog post "the single story test." This test is to see if any knowledge I have attained over time has been left to violate Chimamanda Ngozi Adichie's single-story trap that she laid-out in her lecture "The Danger of A Single Story." I ask myself:

  1. Does the information or "story" I have come from one source or multiple? 
  2. Does the information I have take itself as correct uncritically without any mention of any counter-narrative existing?
  3. But seriously, how reliable is the place I am getting my knowledge from?

 So my thought process is like that. If I know in my heart that my information on something is very simplistic (especially if I learned it all in the school system without checking to see if it is really true) and came from a source that may have an agenda or a bias, I need to fact-check and do more research into the thing I am interested in. As an aside, The YouTube channel Crash Course as a good program related to this about Navigating Digital Information that I will recommend. But back to the subject at hand.

When I heard of this book I was very excited to read it, but I realized that though I felt comfortable in my knowledge about the American and Nazi racial hierarchy systems, I was not so sure on my knowledge of the caste system in India. So that means for me that before I start on this one book that may give me info I need, but may not, I want to study up on this myself so that I won't need to worry about if what Wilkerson is saying is correct or not because I'll already know at least the basics. At the very start I begin with books I have, podcasts I listen to that talk about it or Wikipedia (don't cringe, I'm about to address that) to start me off--basically any resource freely-available to me that talks about the Hindu caste system. Now, I have a book called The Illustrated World's Religions: A Guide to Our Wisdom Traditions by Huston Smith, I listened to a podcast on the history of philosophy in Ancient India and I've seen the the Attenborough Gandhi movie like 6 times. This isn't enough to learn about this subject...not at all. Thankfully, I have the internet. Still, I need to know how to use it correctly for the info I need (which I do). 

So now let's get this out of the way: Wikipedia is not the devil. This may be hard for folks older than me to understand, but if you know how to use Wikipedia right than it can be a crucial resource of information or at least point you in the right direction. I think of it as a map to the destination rather than the destination itself. So when reading-up on the caste system in India, I am not actually looking for the information on the page, but at the sources where that information comes from as that is where any actual research begins. I'll try to narrow down what exactly about the caste system I am trying to learn beyond how it came about and then I can go from there. Just from a cursory glance, I know that I should look at the Manusmṛiti and parts of the Mahabharata (which I own a copy of!) for primary ancient sources (I always try to get a primary source over when I can, don't care how "complicated" or "long" it is).  I can also look at other sites beyond Wikipedia and if I know where to go (I don't).

I can also ask people who are knowledgeable on this subject or who indeed live in India (the internet is convenient in that way). Sometimes folks will point you in the right direction sometimes they will refuse to help you--you have to accept both options. I had one person who did steer me into the right direction long before I even knew I was going to be interested in this subject and recommended that I read Untouchable by Mulk Raj Anand and Annihilation of Caste by B. R. Ambedkar during conversations unrelated to this subject & Wilkerson's book. 

Using all of this information, I can gather what I want to use into how much they correspond to the subject I am interested in which is currently the origin and function of the caste system in India and how it relates to the white supremacist/anti-black hierarchy of the United States of America. As I become more knowledgeable in this subject, I can add or subtract from my informal syllabus as I go along. And when I think I have learned enough on this subject, I can dive into Caste: The Origins of Our Discontents with more confidence on what is handled within it. This is, ideally, how I do any sort-of autodidacticism on a subject of interest. I say ideally because I am pretty sure that in practice, I may will not do that much prior-reading before reading Wilkerson's book. Still, this is the best way I can articulate my social sciences-oriented method of examining things that are presented before me. I can't stand being dumb and not knowing something before-hand.

My Goodreads Review of The Warmth of Other Suns by Isabel Wilkerson

The Warmth of Other Suns: The Epic Story of America's Great MigrationThe Warmth of Other Suns: The Epic Story of America's Great Migration by Isabel Wilkerson
My rating: 5 of 5 stars

"'If all of their dream[sic] does not come true,' the Chicago Defender wrote at the start of the Great Migration, 'enough will come to pass to justify their actions.'"


I remember about 8 years ago, I was helping my maternal-grandfather clean the graveyard of the family church in central Virginia that my mother's family belongs to. As I was raking-up over some of the graves, I noticed that a particular section of them were of people who died during the 1910s-1920s and that I did not recognize the family names at all. My grandfather informed me that most of those families moved out of Amherst County years ago. I was curious when he said, as laconic as possible, that "they simply got tired of living here and left," and that was all he would say about it. As I finished getting those dead leaves off those dead people, the thought of those folks and families stayed with me--stays with me still. They were the beginning of the greatest population shift in modern U.S. history. Of course, this wasn't totally lost on my grandfather as his younger brothers would be among the last people to participate in that mass exodus of the American South. It would be called The Great Migration.

[A quick formatting note for this review: I am listing the songs that relate to The Great Migration--either about the folks on the move or by them. Though it has never been explored, I am surprised how much music these travelers made or had made about them. Also, whenever possible, when I name a person who left the South, I will list their origin and the year they left/joined The Great Migration in parenthesis.]

Sweet Home Chicago by Robert Johnson

That this is one of the all-time great history-books ever written is beyond doubt now. Journalist Isabel Wilkerson, had already had her name in the history-books for being the first African-American woman to win the Pulitzer Prize for Journalism in 1994, she then decided to write a history of her parents’ generation which quickly became a wider history of The Great Migration. Between the end of the American Civil War and 1914, 90 percent of the African-Americans in the United States of America lived in the American South, the region that most of their African ancestors had been shipped to since August of 1619. Beginning with WWI, 6-7 million would leave the South for the Northeast, Mid-West and West. Some would go as far as Hawaii and Alaska for the sole objective of citizenship-rights. They left their old-country--their "patria" of the American South--some until the adequate enforcement of the 14th & 15th Amendment to the US Constitution, but most for good. It would radically change the whole country and every African-American family existing today are either children of these people or at least has them in their family.

My paternal-grandmother's parents were a part of the first wave to leave the South (from North Carolina), though they did not go North proper, but settled into the "gateway city" for Black Southerners of the Atlantic-Coast, Washington, D.C., where my grandmother and father were born. Washington was a gateway city because though it was not as harsh as other Southern cities, it was still a Jim Crow city and it had as many people leaving it as coming into it. The "proto-Migration" of black folks from the Deep South that started after the American Civil War usually saw Washington, D.C. as the primary destination.

The weird thing about academics when it comes to naming something....it's not always accurate. This is one of those things as the "migrants" were not actually migrants. When they left, they left for good. If they moved again it was usually to another "receiving station" of the Migration such as the Duckworth family, who left the South for Chicago and then left Chicago for the Los Angeles suburb of Compton. Anywhere, but back to the dystopian-hell that was the South. When the phenomenon was happening, there was no adequate or accurate name to describe it, but now there is.

Immigration Blues by Duke Ellington (Washington D.C.; 1923)

According to the Office of the United Nations High Commissioner for Refugees what we would roughly define these 6+ million people as are internally-displaced persons (IDPs). The UNHCR report Guiding Principles on Internal Displacement defines IDPs as "persons or groups of persons who have been forced or obliged to flee or to leave their homes or places of habitual residence, in particular as a result of or in order to avoid the effects of armed conflict, situations of generalized violence, violations of human rights or natural or human-made disasters, and who have not crossed an internationally recognized State border." These were people who, despite having citizenship, were greatly persecuted by their home country. It was a fact celebrated by many a politician in the South and Border States and not taken seriously by those outside said states.

Dear Old Southland by the Noble Sissle Orchestra feat. Sidney Bechet (New Orleans; 1919)

This movement of IDPs from the South lasted from the beginning of the First World War and lasted until the end of the Vietnam War. It occurred in 3 waves: the first from 1915 to 1938, the second from 1941 to 1952, the last from 1953 to 1975. The book forms a narrative around three people who made the trip out of the South during the three waves. Ida Mae Brandon Gladney, who left Chickasaw County, Mississippi in 1937; George Swanson Starling, who left Eustis, Florida in 1945; and Cpt. Dr. Robert Joseph Pershing Foster, who left Monroe, Louisiana in 1953. They were all of different economic-classes and would never meet each other and would all go to different cities at different times. They are some amazing characters.

Move On Up A Little Higher, Pts. 1 & 2 Mahalia Jackson (New Orleans; 1927)

Ida Mae Gladney is the true heroine of this book. She was as close to a real-life Alyosha Karamazov as you can get. Her life in the South was in the notoriously brutal regime of Mississippi as a sharecropper along with her husband. She was not particularly good at the job, but her husband George made up for it. The incident that saw them leave was the brutal beating of her cousin-in-law for being accused of stealing a chicken that was not stolen.

Living For The City by Stevie Wonder

The tragic George Starling. After reading this book, Starling's life inspired me to read some Franz Kafka. It was as if Kafka and Euripides were given free-rein over the man's life. He and his family lived in Florida as orange-grove pickers. He aspired to be a chemist and wanted a college degree. This was hard, given the disdain that whites have towards the idea of African-Americans getting a college education. He managed two years of college before being cut-off by his father who saw no point in a black man getting an education in the South. This led...to a series of unfortunate decisions on Starling's part. He found himself attempting unionize workers in the orange grove where he worked, which worked for a time, then certain workers, informed on him to the white management (in a style that would have made Stalin proud) and Starling found himself sneaking out of town hours before he was to be lynched in the orange-grove.

What Would I Do Without You by Ray Charles (Albany, Ga; 1948)

Robert Foster, the Epicurean. Foster was the son of a lower-middle class educator in Monroe, LA. That makes him the wealthiest and educated of the three profiled. He was driven-religiously by the fact that he did not feel he should be disrespected just because of what he looked like. He became a graduate of Morehouse College (and medical school) and married into the family of one Rufus Clement, the Headmaster of Atlanta University who infamously disposed of W.E.B. Du Bois from the university over their ideological differences. Clement and Foster were never to get along, because of the former's disdain of the others desire to leave the South. When it became apparent that any attempt to expand his practice in Monroe would be met with hostile resistance from white doctors coupled with his experience being stationed in allied-occupied Austria meant that the decision to go to Los Angeles was decided for Dr. Foster.

Hobo Blues by John Lee Hooker (Tutwiler, Miss; 1943). John Lee Hooker is an interesting case. His musical career spanned from Memphis to his time wandering out of the South into Los Angeles and his long-term home of Detroit, before spending his final years in southern California. He wrote songs about his life-long journey through the country throughout his life.

Deciding to leave the South is one thing, the leaving part was dangerous. The 13th, 14th and 15th Amendments had made African-Americans citizens, but the destruction of Reconstruction and Plessy v. Ferguson introduced de facto serfdom in the American South and second-class citizenship in the United States as a whole. When the first black folks left the South, it garnered little notice, but when WWI came to an end and the IDPs kept going, it set off panic in & out of the South. Southern oligarchs did not want their serfs leaving as they could be under-paid or put in debt-peonage quite easily. Whites in the North & Mid-west, many of who themselves were immigrants, did not want to compete with, go to school with or live in the same neighborhoods as African-Americans. The South would intensify the vagrancy laws of the "black codes" and arrest and imprison any African-Americans caught in train stations or trains, while cities outside of (and inside of) the former-Confederacy & border states would use restrictive covenants, mass incarceration, mob-violence and de facto racial segregation that one observes in most parts of Latin America. None of this worked because, whites underestimated the desire of African-Americans to be treated like equal citizens & African Americans were already in the country as citizens. These were free citizens, not fugitive slaves (though they were treated as such). Arrington High may have the most extraordinary story of his escape from the South, having to be broken out of an insane asylum in Mississippi (he was in there because he advocated integration publicly. Not joking) and shipped to Chicago...in a coffin. Henry Box Brown-style. For literary references to the White Southerners' view of The Great Migration, I recommend The Displaced Person by Flannery O'Connor & The Jungle by Upton Sinclair.

Ida Mae and George took the train to Chicago and New York City, respectively. Foster did something different. Robert Foster decided to take the most dangerous car ride an existence. through the Southwest, detour to Mexico for tequila, and go to Los Angeles. Foster, mistakenly believed that Jim Crow stopped in Texas, and did not assume to look for any safe places for blacks in New Mexico, Arizona or Nevada. The Plessy ruling applied to all-50 states, so the Southwest and certain mid-west states had the same apartheid-laws as the South. His trip to see friends in Texas and his tequila-run in Mexico would become costly mistakes when it became clear that no motel or hotel in New Mexico or Arizona would take him. He stopped when he could, but ended up driving 20-hour stretches with little sleep nearly dying on several occasions from hallucinating while in the desert. I can't do it justice...this story is worth the price of the book alone. The success he found in Los Angeles afterwards, including some famous clientele, was well-earned. I won't tell anymore about the profilies than that, because I want this book to be read by you and not just you reading me.

Hide nor Hair by Ray Charles. If you were going to listen to one song mentioned in this review, this one is the most important one to listen to.

The fate of the people in this book was as multifaceted as you could imagine. All wanted the promise land, but not all would get it. The establishing of bases in places like South-Central, South-Side and Harlem gave African-Americans still in the South a support system, an influx of money to support families in the "Old Country," and it would spread African-American culture around the world, given that LA and NYC were the main cultural centers for spreading American culture outside the USA. Domestically, southern food, religion, music and politics would become truly national. New Orleans Jazz went to New York City; Mississippi Blues went to Chicago and became Chicago Blues. The arts and sciences would benefit as never before. Away from the caste system of the South African-Americans could innovate as any citizens did and play a role in the country's destiny. Ida Mae Gladney would cast her first vote in the swing-state of Illinois and be part of the 2% difference that re-elected Franklin D. Roosevelt in 1940. An IDP named Frank Marshall Davis (Arkansas City, KS; 1927) would find his efforts at being a radical artist stymied in the continental USA, during the Cold War and would move to Honolulu, Hawaii and become an accidental mentor to a young Barack Obama, trying to understand his place in the great drama of the color-line.

Tennessee by Arrested Development

I could type three reviews worth of prose on this book and subject given I have very near-history on it being related to and descended from that 6-7 million people driven-out of the South because of its wanton cruelties. The book is named for a line from Richard Wright (Roxie, Miss.; 1927) in his book about this very subject Black Boy: "I was taking a part of the South
To transplant in alien soil...

Respond to the warmth of other suns

And, perhaps, to bloom.
"
If one had to name all the names of these people and their kids it would drive one insane. I no longer clean graveyards and my father and his father-in-law are dead. But the memories and legacies of those who went to those other suns, grew in those other suns, and benefited from the success of those under the other suns endures. Recently we saw the death of one of these millions, Aretha Franklin (Memphis; 1944), who in January of 1972 gave a gospel performance at the New Missionary Temple Baptist Church for the "migrants" or "internally-displaced persons" living in Los Angeles. One of the songs sung was Precious Memories with James Cleveland, the son of Southerners, reminiscing back and hoping toward easier times. Times that may or may not ever exist, may or may not ever existed, but that they had to do their part to deliver on and honor.

Most of the last survivors are dying-out--the youngest are in their 50s, this book was meant to put their history in their voice and not some distant academic's, as had previously been the case. Wilkerson had planned to take only 2 years off from journalism to promote the book, yet she is still in high demand over it which is amazing in itself. I liked her methodology, but was felt that her attempt at renaming certain terminology became distracting at times, though I got used to it. That the only "complaint" to be had. She does the sort of job you'd expect from a Pulitzer-winning journalist and her notes and sources are as incredible as the main text. So great a work cannot be praised enough.

"Over the decades, perhaps the wrong questions have been asked about the Great Migration. Perhaps it is not a question of whether the migrants brought good or ill to the cities they fled to or were pushed or pulled to their destinations, but a question of how they summoned the courage to leave in the first place or how they found the will to press beyond the forces against them and the faith in a country that had rejected them for so long. By their actions, they did not cream the American Dream, they willed it into being by a definition of their own choosing. They did not ask to be accepted but declared themselves the Americans that perhaps few others recognized but that they had always been deep within their hearts."

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My Goodreads Review of Race and the American Idea: 155 Years of Writings From The Atlantic

Race and the American Idea: 155 Years of Writings From The AtlanticRace and the American Idea: 155 Years of Writings From The Atlantic by Frederick Douglass
My rating: 5 of 5 stars

I reviewed this book very differently from most books, this was a "rolling review." Since this ebook is of many different articles, I reviewed the articles as I read them. I originally wanted a book form of Ta-Nehisi Coates' The Case For Reparations and ended up finding that and a lot more. This is a collection of over 150 years of The Atlantic's articles on race published by its many writers and guest writers. Some of these writers would republish these articles in much more famous works like The Souls of Black Folk and Letter from the Birmingham Jail. As it is, I did my best to write as short a blurb as possible on the pieces I read from this book (at least one from every decade available).


American Civilization and The President's Proclamation (both 1862) by Ralph Waldo Emerson: These first two articles are pushing for emancipation and hailing the news of The Emancipation Proclamation. While it did have some interesting points about it, a lot of it was, sad to say, rested heavily on the Romantic and post-Romantic stereotypes of Black people as "wonderfully savage." And it suffered from "Emerson prose." Worth a look for historical purposes; 3/5.

The Story of the Contract Buyers League (April 1972) by James Alan McPherson: I jumped far ahead to read this long story in order to prepare mysrlf to re-read Ta-Nehisi Coates' The Case For Reparations (which is in this book) Since this long article is a spiritual predecessor to it and many of the people in McPherson's article are re-visited in Coates'. This story is about one of the most valiant, if bittersweet, effort to push back against years of housing discrimination. This is a must to understand why Chicago is in such a deplorable state today. 4.5/5

Liberty and Equality For All and An Appeal To Congress for Impartial Suffrage (1866 and 1867) by Frederick Douglass: Both of these articles are about the need to pass what is now the 15th Amendment to the U.S. Constitution. It is amazing how well these articles hold-up as a defense for the importance of universal suffrage in the United States. It is sad to ponder in the post-Shelby County v. Holder years. 5/5.

The Reconstruction of the Southern States (January 1901) by Woodrow Wilson: This article, a short "Lost Cause" history of Reconstruction, shows why former Princeton University and United States president Woodrow Wilson is so "loved and revered" at his alma mater. His basic argument is that everything was fine when southerners had control, but crazy northerners gave Black people rights and this derailed everything until finally "brave" southern whites rose-up and put the Negros in their place and now everything is in its natural place. I wish I was exaggerating. 1/5.

A Negro Speaks for His People (March 1943) by J. Saunders Redding: This article from the middle of World War II gives a surprisingly frank update on the progress of civil rights for African-Americans and the efforts that Black people North and South were doing and the resistance that they were encountering. This article has some very timely quotes: "They mean what a Negro United Mine Workers official in West Virginia told me in 1940: 'Let me tell you, buddy. Waking up is a damn sight more harder than going to sleep, but we'll stay woke up longer.'" [Bold emphasis mine.] 4.5/5

The Angry South (April 1956) by Ralph McGill: Ahh yes. I was waiting for this type of article, Southern White Liberal admits that racism is wrong, but that the South has to be gradually and sensitively changed. This guy knows that there is a problem, but he certainly does not want to be the guy who proposes the solution. This was written in response to the South's opposition to school integration and is like a white response to the last article I read. 3/5.

Letter from the Birmingham Jail (April 1963) by Martin Luther King Jr.: When I finally review this, I will link to it here.

W.E.B. Du Bois (November 1965) by Ralph McGill: Once again, our liberal Southern apologist is back and this time he is recounting his interview with Dr. Du Bois 6 months before his death in 1963. It is mainly about his leaving the NAACP and becoming a socialist, as well as a lengthy final thought on Booker T. Washington, his intellectual rival. While McGill's apologist sentiment for Washington and obsession with
Du Bois' Marxism is annoying, I found his recounting of Du Bois' own feelings, especially on Booker T. Washington, to be amazing (Du Bois gives one of the most amazing breakdowns of why Washington's accomidationalism was so damning). I will give McGill credit for this statement as well: "Six months later in faraway Ghana W. E. B. DuBois died. It was August 28, 1963, the eve of the march on Washington, the largest demonstration for civil rights ever held. One could not help experiencing a feeling of destiny linking both events. The man who for many years had spoken with the loudest and most articulate voice was now silent while his objectives were being realized." 4/5.

Where Ghetto Schools Fail (October 1967) by Jonathan Kozol: This was the second of a two-part series from Kozol on his year teaching in a mostly Black elementary school in Boston. This article reads like an intro to Lies My Teacher Told Me : Everything Your American History Textbook Got Wrong and much of what would later be described in Loewen's book was on active display here to particularly dis-heartening effect. This article shows why integration is just as needed in New England as it is in the South. 5/5.

Indivisible Man (December 1970) by Ralph Ellison and James Alan McPherson: This article was another personal treat for me to read as it is a snapshot of Ralph Ellison and his reaction to the Black Power movement. This article also has Ellison compare his experiences as a writer pre- and post-Invisible Man. It uses not only notes and quotes from McPherson's live interviews with Ellison, but also their long letter correspondences. It was interesting to see how young Black social consciousness was going counter to Ellison's more integrationist tone. Ellison's peer James Baldwin was having similar trouble around this time. I liked Ellison's insight on the centrality of African-Americans to American culture and history. I wish he wasn't so arrogant when it came to both the work of young Black writers at that time and his own debt that he owed to older Black writers that proceeded him. 5/5.

A Question of Fairness (February 1987) by Juan Williams: This article details the rise of one Clarence Thomas, the archtype of self-hating Black American conservatives during the 1990s when I was growing up. This article details his life and career up to the beginning of his second term as head of the Equal Employment Opportunity Commission and his attempts to cripple it. I did not learn anything new from this, but nice to know how long he has been this way. 2.8/5.

Race (May 1991) by Thomas Byrne Edsall & Mary D. Edsall: This study from 1991 presents a then-landmark, but now confirmed fact that racial identity plays a disproportionate impact in American political life and the growing polarization of American politics since 1968 can be traced to the impact of the Civil Rights Movement. I felt that though certain points and research in this report were a bit dated, it non-the-less laid bare how much both parties had begun to shape their policies to appeal to white working class voters exclusively. 3.5/5 .

The New Intellectuals (March 1995) by Robert S. Boynton: This interesting article is an overview of the Black "public intellectuals" that emerged in the last quarter of the twentieth-century. These are people like Cornel West, bell hooks, Michael Eric Dyson, Stanley Crouch, Juan Williams, Toni Morrison, Henry Louis Gates Jr. and many more. This book compares the emergence of this group to the Jewish-American intellectuals who emerged in the pre-WWII era and the African-American intellectuals (e.g. Ralph Ellison & James Baldwin) who came to prominence post-WWII. This was a very comprehensive introduction and comparison of this group in 1995 and I would not mind seeing a follow-up to it how this intellectual "class" has faired twenty one years later. 5/5.

A Just Cause (February 2000) by Jack Beatty: This is a book review of The Debt: What America Owes to Blacks by Randall Robinson. The review details Robinson's successful campaign to get Harvard University to divest from Apartheid South Africa and how his book wants to use similar methods to pursue restitution for African-Americans. This is the first article in this anthology to address this topic head-on, but a much more comprehensive one awaits. 4/5.

Segregation Now... (May 2014) by Nikole Hannah-Jones: This long-form article is a devastatingly powerful look at the re-segregation of the American public school system. Mrs. Hannah-Jones has written on this topic for most of her career and this article is one of her crowning achievements. It shows how the stalwart resistance by white-Americans as a whole (no matter what ideology) doomed Brown vs Board of Education from the word go. The Federal government, through the courts, did all it could to implement "Brown," culminating in 1988 being the most integrated year in U.S. public school life. But by then, the reaction against "Brown" was already in full effect and now American schools are nearly as segregated in 2016 as they were in 1956. This hit home (or should I say school) with me because most of my grade school life was spent in these re-segregated schools (which means my mom and her siblings will be the only generation in my family to go to integrated schools for their entire grade school career). According to Hannah-Jones, Jefferson County, Kentucky remains the only school district in the country to voluntarily continue integration. This, of course, has had a devastating impact on the state of education for my generation and the generations after us. Beyond this work, Mrs. Hannah-Jones has also won a Peabody Award for a radio broadcast examining this phenomenon in the St. Louis area after the death of Mike Brown and an article in the New York Times Magazine detailing her struggle in choosing a primary school for her daughter in New York City (2nd most segregated school system in the country). 5/5.

Fear of a Black President & The Emancipation of Barack Obama (September 2012/March 2013) by Ta-Nehisi Coates: What a timely reflection of days gone by. These two articles by Ta-Nehisi Coates begins his current intellectual-run that he is still going in. These two articles look at the end of Barack Obama's first term and the beginning of his second. It seems, now, a lifetime ago, but it was real. Coates catalogues the particular struggles that President Obama had to endure and the tightrope that he walked as the luster of being the first Black president quickly gave way to the reality of that distinction in a country built on white supremacy. These articles display the expert journalistic efficiency that made me first come to admire Mr. Coates. Despite his protest of the very concept, the second article shows Coates seeming to be cautiously hopeful of the second Obama term. Given that he was to follow these articles up with the "magnum opus" of his journalistic work, these two articles serve as a good warm-up. This also marked when I first heard of the man. Both 4/5. Update: Here is Coates' interview with Obama himself which I will throw in for good measure: My President Was Black

The Case for Reparations & The Black Family In The Age of Mass Incarceration (June 2014/October 2015) by Ta-Nehisi Coates: These two journal articles are widely regarded as Ta-Nehisi Coates' finest work of journalistic non-fiction. The former is regarded as his best work for the Atlantic and its sequel is an amazing follow-up/supplement that picks-up where TCFR left off and fills in gaps of small things simply touched on in the former. TCFR starts off as an update of James Alan McPherson's story for The Atlantic: The Story of the Contract Buyers League. It then goes into its thesis that white supremacy in the United States is so prevalent that African-Americans do not need to go back to slavery or the last 50 years to seek restitution for crimes perpetrated by the state.
"The federal government is premised on equal fealty from all its citizens, who in return are to receive equal treatment. But as late as the mid-20th century, this bargain was not granted to black people, who repeatedly paid a higher price for citizenship and received less in return. Plunder had been the essential feature of slavery...But practically a full century after the end of the Civil War and the abolition of slavery, the plunder—quiet, systemic, submerged—continued even amidst the aims and achievements of New Deal liberals."
This quote is just one small sample from what is one of the greatest journal articles I have ever read and what made me a fan of the brother and fellow Maryland native. The follow-up is sort of a stealth response to The New Jim Crow: Mass Incarceration in the Age of Colorblindness, but in the context of the career of policy-maker Daniel Patrick Moyniham who became the spearhead of Black Mass-incarceration and worked with multiple Presidents from LBJ and Nixon to Clinton to give us this problem with mass incarceration we have today. It also shows how the criminal justice systems in the American North and South dealt with African-Americans using the courts and prisons (and to the surprise of few who have done the homework, the North already had proto-mass incarceration while the South relied on terrorism). Both 5/5


I stumbled on this ebook anthology by accident, but this is one of those good accidents that I do not have very often. I have only reviewed a sample of all the articles actually in this ebook. If you use an e-reader of any kind, please pick this book up and soak-up all the knowledge and history within it.

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Wednesday, August 12, 2020

My Review of Miss Hokusai "百日紅" (2015) directed by Keiichi Hara (with references to Toni Morrison)

Alfred Hitchcock once said that cinema was life with the boring parts cut out. He obviously didn't count on the fact that some of us our very much entertained by the "boring parts." This movie is a slice-of-life look at the 19th century ukiyo-e artist Ōi Katsushika the daughter of the legendary Hokusai Katsushika. This women was an artist of great talent who has been obscured by history. This Movie is an adaptation of a manga by Hinako Sugiura--a manga artist also mostly-forgotten by history. Sugiura's manga and this film are poetic looks, not at the facts of Ōi's life, but the truth of it via what Toni Morrison called "the site of memory."

In her essay The Site of Memory, writer Toni Morrison explains how she tells the truth of her characters' daily lives. When looking at the interior life of a person, facts fall short because they don't have real emotional energy: 

 "When I hear someone say, 'Truth is stranger than fiction,' I think that old chestnut is truer than we know, because it doesn't say that truth is truer than fiction; just that it's stranger, meaning that it's odd. It may be excessive, it may be more interesting, but the important thing is that it's random--and fiction is not random. 

Therefore the crucial distinction for me is not the difference between fact and fiction, but the distinction be-tween fact and truth. Because facts can exist without human intelligence, but truth cannot.

"The image comes first and tells me what the 'memory' is about." - From The Site of  Memory

 I encountered this idea straight-on when I watched Miss Hokusai (2015) for the first time and learning the scant facts in English about Sugiura has made this movie all the more mysterious yet personal, truthful.

We don't know much about the facts of Ōi. A lot of what we know about her come from the fact of her proximity to her father--given that she was his chief assistant. We don't know when she was born or when she died as women in the Edo Period were not considered important-enough to record that sort of information. In the movie, her and her father are often hanging-out with the artists Eisen Keisai & Kuninao Utagawa who were pupils of Hokusai. What the film's creators got from the original manga was not going to help because the late-Hinako Sugiura was just as obscure and eccentric as her subject. None of Sugiura's work, that I know of, has been translated into English so I have no way of knowing what the movie did differently from the manga myself. All of this meant that for the Sugiura, and later, the film-maker and screenwriter Miho Maruo was, that they had to abandon the hopeless search for facts and go for the truth in the process as Morrison said, "The image comes first and tells me what the 'memory' is about."

The movie opens with Ōi walking through town narrating about her father's exploits and encountering Kuninao Utagawa on a bridge; we are shown that it is summer 1814. She visits her mother who does not live with her and her father (or actually it may be the other way around), and her little sister who is blind and ill and lives in a Buddhist hospital of-sorts. Hokusai's fear of mortality keeps him from visiting this child. Hokusai himself is presented as almost fully-driven by his art, but also dependent on Ōi for organizing his work properly. She is in artist in her own right and we see artwork by her, her father, and their two friends shown or visually referenced throughout this film. 

There is no actual plot or narrative to this film. It is a series of vignettes of incidents that we drop-in on involving the artists--Ōi in-particular. Two of these episodes I want to touch on briefly. At one point Ōi, Hokusai, and Eisen Keisai go to the red-light district to sketch an oiran (Japanese courtesan during the Edo Period). They hear that she is semi-possed and that when she sleeps her neck "stretches" and tries to leave her body. The artists mange to convince the oiran into letting them observe this event and it is a visual stunner that really plays into almost magical realist territory. A lot of the vignettes are like that, we see artistic fantasy and reality blend together and we accept it for what it is. The other moment is the death of Ōi's sister O-nao. Hokusai had spent the film avoiding her, but is eventually convinced to see her and goes. She dies not long afterwards and it is a surprisingly emotional scene coming into the climax of the film.

The animation work of Production I. G is flawless and the voice acting was refreshingly naturalistic--especially Anne Watanabe as Ōi. This film should have been more celebrated, but it came out right before the juggernaut Your Name (2016). As the film ends and we leave the site of memory, we learn about what happened to the main cast after the events of the movie including "Miss Hokusai's" disappearance from the historical record. We get one more look at the walking bridge that the movie opened-on before it we cut directly to the same area in 2015 in which the foot bridge is now traveled by cars. It is a powerful-point that drives home that while maybe everything that happened in the film was fact, all of it was true.