My first book review in over a year is bound to be rough and this thing feels rough. Got to start from somewhere, I guess.
Happy New Year.
The Origin of Others by
Toni Morrison
My rating:
4 of 5 stars
Been a minute since I have done any type of real serious reading, but here I am.
This year is the last year of the
United Nations International Decade of People of African Descent. For the last 10 years that I have been on here I have been saving a bookshelf of books by or about people of African descent here on Goodreads if you wish to check it out:
https://www.goodreads.com/review/list...This book was on my radar from the time it came out, but I needed it in a reasonable price-range before I decided to read it given it's length. It is the second-to-last book published during
Toni Morrison's lifetime and it is an edited publishing of her 2016 Charles Eliot Norton lectures. As the title suggests, she uses the idea of
the other or othering and how in the U.S. context slavery and it's afterlife helped to create "the other" as we have it in America today.
"One purpose of scientific racism is to identify an outsider in order to define one’s self. Another possibility is to maintain (even enjoy) one’s own difference without contempt for the categorized difference of the Othered. Literature is especially and obviously revelatory in exposing / contemplating the definition of self whether it condemns or supports the means by which it is acquired. How does one become a racist, a sexist? Since no one is born a racist and there is no fetal predisposition to sexism, one learns Othering not by lecture or instruction but by example."
She spends the book using various examples from literature like
Flannery O'Connor,
William Faulkner,
Harriet Beecher Stowe, to show how whites "other" black people, but she also uses people like
Harriet Jacobs,
Camara Laye, and most noticeably herself to show how Black writers push back against the attempts to dehumanize them. This book also reminded me that I need to read
Paradise ASAP.
"I became interested in the portrayal of blacks by culture rather than skin color: when color alone was their bête noire, when it was incidental, and when it was unknowable, or deliberately withheld. The latter offered me an interesting opportunity to ignore the fetish of color as well as a certain freedom accompanied by some very careful writing. In some novels I theatricalized the point by not only refusing to rest on racial signs but also alerting the reader to my strategy."
This book is like a career-bookend to
Playing in the Dark: Whiteness and the Literary Imagination and a lot of what she brings up here will be familiar to those who have read that book or
The Source of Self-Regard: Selected Essays, Speeches, and Meditations. I confess, with this being the first book that I had to sit and think on in some time, I had a time trying to say something here that was different from the other non-fiction books of her that I have read, but the fact is that this book is transcript of a lecture she gave so it was no surprise that there would be little surprise here if you are familiar with her non-fiction writing. I will say that if you only know Toni Morrison from her novels, this is the perfect place to start for seeing what her thought-process is in condensed form.
I wish I could feel like this review was up-to-snuff with how I usually do, but this is what I have in the tank at the moment.
View all my reviews
Diana's Tree by Alejandra Pizarnik
